• Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

    Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies


The inaugral issue of The Parish Review, published in Summer 2012,and edited by the journal's founders Ruben Borg and Paul Fagan. Cover Illustration: ‘Dieselbe Noman' by David O'Kane, reproduced with the kind permission of the artist.

Editors: Ruben Borg (Editor), Paul Fagan (Editor)

Editorial


Founders’ Note: The Parish Review

Founders’ Note: The Parish Review

Ruben Borg and Paul Fagan

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Review


Review of 'Flann O’Brien: Centenary Essays' (2011), edited by Neil Murphy and Keith Hopper

Review of 'Flann O’Brien: Centenary Essays' (2011), edited by Neil Murphy and Keith Hopper

Ronan Crowley

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Review of 'Brian Ó Nualláin: Eagrán Comórtha Speisialta' (2011), edited by Ian Ó Caoimh

Review of 'Brian Ó Nualláin: Eagrán Comórtha Speisialta' (2011), edited by Ian Ó Caoimh

David Wheatley

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Report


Report: '100 Myles: The International Flann O’Brien Centenary Conference' (Vienna 2011)

Report: '100 Myles: The International Flann O’Brien Centenary Conference' (Vienna 2011)

Erika Mihálycsa

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Report: 'Strange Enlightenments: Flann O’Brien and Modernism' (Sydney 2011)

Report: 'Strange Enlightenments: Flann O’Brien and Modernism' (Sydney 2011)

Maebh Long

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Creative Testimony


Dieselbe – ‘Not a bloody bit like the man ... whoever done it.’

Dieselbe – ‘Not a bloody bit like the man ... whoever done it.’

David O'Kane

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies

Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera

Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera

Ergo Phizmiz

2012-06-29 Volume 1 • Issue 1 • 2012 • The Parish Review: Journal of Flann O'Brien Studies