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  • Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies

    Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies


The inaugral issue of The Parish Review: Journal of Flann O'Brien Studies, published in Summer 2012 and edited by the journal's founding general editors Ruben Borg and Paul Fagan. 

Cover Illustration: ‘Dieselbe Noman' by David O'Kane, reproduced with the kind permission of the artist.

Editors: Paul Fagan (Editor), Ruben Borg (Editor)

Editorial


Founders’ Note: The Parish Review

Founders’ Note: The Parish Review

Ruben Borg and Paul Fagan

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 1-7

Review


Review of 'Flann O’Brien: Centenary Essays' (2011), edited by Neil Murphy and Keith Hopper

Review of 'Flann O’Brien: Centenary Essays' (2011), edited by Neil Murphy and Keith Hopper

Ronan Crowley

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 14-18

Review of 'Brian Ó Nualláin: Eagrán Comórtha Speisialta' (2011), edited by Ian Ó Caoimh

Review of 'Brian Ó Nualláin: Eagrán Comórtha Speisialta' (2011), edited by Ian Ó Caoimh

David Wheatley

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 19-22

Report


Report: '100 Myles: The International Flann O’Brien Centenary Conference' (Vienna 2011)

Report: '100 Myles: The International Flann O’Brien Centenary Conference' (Vienna 2011)

Erika Mihálycsa

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 23-28

Report: 'Strange Enlightenments: Flann O’Brien and Modernism' (Sydney 2011)

Report: 'Strange Enlightenments: Flann O’Brien and Modernism' (Sydney 2011)

Maebh Long

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 29-31

Creative Testimony


Dieselbe – ‘Not a bloody bit like the man ... whoever done it.’

Dieselbe – ‘Not a bloody bit like the man ... whoever done it.’

David O'Kane

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 8-13

Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera

Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera

Ergo Phizmiz

2012-06-29 Volume 1 • Issue 1 • 2012 • Journal of Flann O'Brien Studies • 32-38