Creative Testimony

Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera

Author: Ergo Phizmiz (Bridport)

Abstract

Ergo Phizmiz details the challenges and rewards of adapting The Third Policeman as an 'Electronic Neuropera Vaudeville Machine,' including detailed production, musical, and set design testimonies.

Keywords: Typewriter, Phonograph, Musical, Opera, Theatre, Adaptation, Third Policeman, Flann O'Brien

How to Cite: Phizmiz, E. (2012) “Colour, Noise, and Craniums: Adapting 'The Third Policeman' as an Electronic Opera”, The Parish Review: Journal of Flann O'Brien Studies. 1(1). doi: https://doi.org/10.16995/pr.3342