Artist David O'Kane discusses his artwork Dieselbe Noman, which adorns the cover of the inaugral issue of The Parish Review, and relfects on the reltionship between O'Nolan's writing and the visual arts.
Keywords: Photography, Film, Painting, Adaptation, Art, Flann O'Brien
How to Cite:
O'Kane D., (2012) “Dieselbe – ‘Not a bloody bit like the man ... whoever done it.’”, The Parish Review: Journal of Flann O'Brien Studies 1(1), p.8-13. doi: https://doi.org/10.16995/pr.3334