Author: Susanne Hillman (University of California, San Diego)
This article reads The Third Policeman through the lens of Max Horkheimer and Theodor Adorno’s ‘The Culture Industry: Enlightenment as Mass Deception,’ focussing specifically on the distinction they develop between ‘right’ and ‘wrong’ laughter. Through a close reading of key scenes in the novel, it is shown how The Third Policeman offers multiple occasions for resistance to the passive, de-politicising consumption of amusement through a form of 'right laughter' that hinges upon a comic embrace of unpredictability and meaninglessness.
To read the article, click Download or View PDF.
Keywords: Max Horkheimer, Theodor Adorno, Theories of Laughter, Frankfurt School, Culture Industry, The Third Policeman
How to Cite: Hillman, S. (2016) “‘Calmly Making Ribbons of the Natural Order’: The Third Policeman, the Culture Industry, and Right Laughter”, The Parish Review: Journal of Flann O'Brien Studies. 3(2). doi: https://doi.org/10.16995/pr.3218None